Чтение онлайн

ЖАНРЫ

История искусства
Шрифт:

John Rewald. Cezanne: The Watercolours(London: Thames and Hudson, 1983)

John Russell. Seurat(London: Thames and Hudson, 1965)

Richard Thomson. Seurat(Oxford: Phaidon, 1985; переизд. 1990)

Ronald Pickvance. Van Gogh in Aries(New York: Metropolitan Museum of Art, 1984)

Он же. Van Gogh in Saint Remy and Auvers(New York: Metropolitan Museum of Art, 1986)

Michel Hoog. Gauguin(London: Thames and Hudson, 1987)

Gauguin(Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)

Nicolas Watkins. Bonnard(London: Phaidon, 1994)

Gotz Adriani. Toulouse-Lautrec(London: Thames and Hudson, 1987)

Он

же. Post-Impressionism: From Van Gogh to Gauguin(New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)

27 ЭКСПЕРИМЕНТАЛЬНОЕ ИСКУССТВО.

Robert Rosenblum. Cubism and Twentieth-CenturyArt (London: Thames and Hudson, 1960; переработ. изд., New York: Abrams, 1992)

John Golding. Cubism: A History and an Analysis, 1907–1914(London: Faber, 1959; 3-е изд., 1988)

Bernard S. Myers. Expressionism(London: Thames and Hudson, 1963)

Walter Grosskamp, ed. German Art in the Twentieth Century: Painting and Sculpture 1905–1985(London: Royal Academy, 1985)

Hans Maria Wingler. The Bauhaus(Cambridge, Mass.: MIT Press, 1969)

H. Bayer, W. Gropius, I. Gropius, Hrsg. Bauhaus 1919–1928(Teufen: Niggli, 1959)

William J.R. Curtis. Modern Architecture since 1900(Oxford: Phaidon, 1980; 2-е изд., 1989; переизд. London, 1994)

Robert Hughes. The Shock of the New: Art and the Century of Change(London: BBC, 1980; переработ. и расширен. изд., 1991)

William Rubin, ed. «Primitivism» in 20th Century Art: Affinity of the tribal and the Modern(2 vols., New York: Museum of Modern Art, 1984)

Reinhold Heller. Munch: His Life and Work(London: John Murray, 1984)

C.D. Zigrosser. Prints and Drawings of Kathe Kollwitz(London: Constable; New York: Dover, 1969)

Werner Haftmann. Emil Nolde.(5 Aufl., Koln: Du Mont Schauberg, 1966)

Richard Calvocoressi, ed. Oskar Kokoschka 1886–1980(London: Tate Gallery, 1987)

Peter Vergo. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and their Contemporaries(London: Phaidon, 1975; 3-е изд., 1993, переизд. 1994)

Paul Overy. Kandinsky: The Language of the Eye(London: Elek, 1969)

Hans Kroethel, Joan K. Benjamin. Kandinsky: Catalogue Raisonne of the Oil Paintings(2 vol., London: Sotheby's, 1982-4)

Will Grohmann. Wassily Kandinsky: Life and Work(New York: Abrams, 1958)

Sixten Ringbom. The Sounding Cosmos(Abo: Academia, 1970)

Jack Flam. Matisse: The Man and his Art, 1869–1918(London: Thames and Hudson, 1986)

John Elderfield, ed. Henri Matisse(New York: Museum of Modern Art, 1992)

Pablo Picasso: A Retrospective(New York: Museum of Modern Art, 1980)

Timothy Hilton. Picasso(London: Thames and Hudson, 1975)

Richard Verdi. Klee and Nature(London: Zwemmer, 1984)

Margaret Plant. Paul Klee: Figures and Faces(London: Thames and Hudson, 1978)

Ulrich Luckhardt. Lyonel Feininger(Munchen: Prextel, 1989)

Pontus Hulten, Natalia Dumitresco, Alexandre Istrati. Brancusi(London: Faber, 1988)

John Milner. Mondrian(London: Phaidon, 1992)

Norbert Lynton. Ben Nicholson(London: Phaidon, 1993)

Le Douanier Rousseau(New York: Museum of Modern Art, 1985)

Susan Compton, ed. British Art in the Twentieth Century: The Modern Movement(London: Royal Academy, 1987)

Joan M. Marter. Alexander Calder, 1898–1976(Cambridge U.P., 1991)

Alan Bowness, ed. Henry Moore: Sculptures and Drawings(6 vols., London: Lund Humphries, 1965-7)

Susan Compton, ed. Chagall(London: Royal Academy, 1985)

David Sylvester, ed. Rene Magritte, Catalogue Raisonne(2 vols., Houston: The Menil Foundation; London: Philip Wilson, 1992–1993)

Yves Bonnefoy. Giacometti(New York: Abbeville, 1991)

Robert Descharnes. Dali de Gala: Le monde de Salvador Dali(Paris: Bibliotheque de arts, 1962);

русск. перевод: Р. Дешарн, Н. Дешарн.

Сальвадор Дали. Лозанна: Эдита, 1996) Dawn Ades. Salvador Dali(London: Thames and Hudson, 1982)

28 ИСТОРИЯ БЕЗ КОНЦА

John Elderfield. Kurt Schwitters(London: Thames and Hudson, 1985)

Irving Sandler. Abstract Expressionism: The Triumph of American Painting(London: Pall Mall, 1970)

Ellen G. Landau. Jackson Pollock(London: Thames and Hudson, 1989)

James Johnson Sweeney. Pierre Soulages(Neuchatel: Ides et Calendes, 1972)

Douglas Cooper. Nicolas de Stael(London: Weidenfeld and Nicolson, 1962)

Patrick Waldburg, Herbert Read, Giovanni de San Luzzaro, eds. Complete Works of Marino Marini(New York: Tudor Publishing, 1971)

Marilena Pasquali, ed. Giorgio Morandi 1890–1964(London: Electa, 1989)

Hugh Adams. Art of the Sixties(Oxford: Phaidon, 1978)

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