Охотники за сокровищами

• Simpson, Elizabeth, ed. Spoils of War. New York: Harry N. Abrams, 19 9 7.

• Skilton, John D., Jr. Defense de l’art Europ'een: Souvenirs d’un off cier am'erican “Sp'ecialiste des Monuments”.Paris: Les Editions Internationales, 1948.

• Smyth, Craig Hugh. Repatriation of Art from the Collecting Point in Munich after World War II. New Jersey: Abner Schram Ltd., 1988.

• Speer, Albert. Inside the Third Reich. New York: Macmillan, 1970.

• Spotts, Frederic. Hitler and the Power of Aesthetics. Woodstock and New York: Overlook Press, 2002.

• Trial of the Major War Criminals before the International Military Tribunal: Nuremberg 14 November 1945–1 October 1946. Nuremberg: International Military Tribunal, 1947.

• Tutaev, David. The Consul of Florence. London: Secker and Warburg, 1966.

• Valland, Rose. Le Front de l’Art: 1939–1945. Paris: Librarie Plon, 19 61.

• Vasari, Giorgio. Lives of the Artists: Volume I. Translated by George Bull. London: Penguin 1987.

• Wheelock, Arthur K., ed. Johannes Vermeer. The Hague: Royal Cabinet of Paintings, Mauritshuis and the Board of Trustees, National Gallery of Art, Washington, 1995. Published in conjunction with the exhibit “Johannes Vermeer” shown at the National Gallery of Art, Washington, and the Royal Cabinet of Paintings Mauritshuis, The Hague.

• Whiting, Charles. Bloody Aachen. New York: Stein and Day, 1976.

• Woolley, Lt. Col. Sir Leonard. The Protection of the Treasures of Art and History in War Areas. London: His Majesty’s Stationery Offce, 19 47.

• Yeide, Nancy. Beyond the Dreams of Avarice: The Hermann Goering Collection. Dallas: Laurel Publishing, 2009.

Статьи

• “A l’Institut: Gaston Palewski fait l’'eloge d’un grand d'efenseur des Beaux– Arts Jacques Jaujard”. Le Figaro, November 21, 1968.

• Bradsher, Greg. “Nazi Gold: The Merkers Mine Treasure”. Prologue Magazine31, no. 1 (Spring 1999).

• Canady, John. “James Rorimer Left Cloisters to Excel in a Bigger J o b ”. New York Times, May 12, 1966.

• Chamson, Andr'e. “In Memoriam, Jascques Jaujard”. Musees et Collections Publiques(1967): 151–153.

• Cohn, Marjorie B. “George Stout’s Legacy”. Journal of the American Institute for Conservation18, no. 1 (1978).

• Esterow, Milton. “Europe is Still Hunting its Plundered Art”. New York T i me s, November 16, 1964.

• Gibson, Michael. “How a Timid Curator with a Deadpan Expression Outwitted the Nazis”. A R Tn e w s8 0 (Su m m e r 19 81): 10 5 –111.

• Hammett, Ralph. “Comzone and the Protection of Monuments in North– West Europe”. College Art Journal5, no. 2 (Jan. 1946): 123–126.

• Hammond, Mason. “The War and Art Treasures in Germany”. College Art Journal5, no. 3 (March 1946): 205–218.

• Hancock, Walker. “Experiences of a Monuments Off cer in German y ”. College Art Journal5, no. 4 (May 1946): 271–311.

• Houghton, Arthur A., Jr. “James J. Rorimer”. The Metropolitan Museum of Art Bulletin(Summer 1966, Part Two).

• Kirstein, Lincoln. “Quest for the Golden Lamb”. Town and Country100, no. 428 (Sept. 1945): 115.

• McGregor, Neil. “How Titian Helped the War Effort”. The Times(London), June 5, 2004.

• McManus, John C. “The Last Great Prize”. World War II Magazine(May 2005): 51–56.

• Norris, Christopher. “The Disaster at Flakturm Friedrichshain; A Chronicle and List of Paintings”. The Burlington Magazine94, no. 597 (Dec. 1952): 337–347.

• Norris, Christopher. “1,000 Pay Tribute at Rorimer Rites”. New York Times, May 17, 1966.

• Plaut, James S. “Loot for the Master Race”. Atlantic Monthly178, no. 3 (Sept. 1946): 57–63.

• Plaut, James S. “Hitler’s Capital”. Atlantic Monthly178, no. 4 (Oct. 1946): 73–78.

• Posey, Robert. “Protection of Cultural Monuments During Combat”. College Art Journal5, no. 2 (Jan. 1946): 127–131.

• Rayssac, Michel. “Extrait de Historail: Janvier 2008”.rosevalland.eu/hist-train.htm.

• Standen, Edith. “Report on Germany”. College Art Journal 7, no. 3 (Spring 1948): 209–215.

• Stoner, Joyce Hill. “Changing Approaches in Art Conservation: 1925 to the Present,” in Scientif c Examination of Art: Modern Techniques in Conservation and Analysis(Washington, DC: National Academies Press, 2003).

• Stout, George. “Our Early Years at the Fogg”. Art Dealer & Framer(June 1977): 10–13, 16, 92–93, 96–97.

• Taylor, Francis Henry. “The Rape of Europa”. Atlantic Monthly175 (Jan. 1945): 52.

• Von Choltitz, Dietrich. “Pourquoi en 1944 je n’ai pas d'etruit Paris – IX: Hitler: Vous r'eduirez paris en un tas de d'ecombres”. Le Figaro,October 12, 1949.

Неопубликованные материалы

• Duncan, Sally Anne. “Paul J. Sachs and the Institutionalization of Museum Culture Between the World Wars”. PhD diss., Tufts University, 2001.

• Harry Ettlinger. “Ein Amerikaner: A Collection of Anecdotes in the Life of Harry Ettlinger” (New Jersey, 2002).

• Jerry R. Hobbs. “A Michelangelo in Belgium? The Bruges Madonna” (Menlo Park, CA, 2004).

Фильмы

• Berge, Richard, and Bonni Cohen. The Rape of Europa Collector’s Edition. Dallas: Agon Arts & Entertainment, 2008.

• Bricken, Jules, and John Frankenheimer. The Train. Santa Monica, CA: MGM Home Entertainment, 1964.

• Eichinger, Bernd, and Oliver Hirschbiegel. Downfall. Culver City, CA: Sony Pictures with Newmarket Films and Constantin Film, 2005.

• Heller, Andr'e, and Othmar Schmiderer. Blindspot: Hitler’s Secretary. Culver City, CA: Sony Pictures Classics Release DOR Film, 2002.