Стоялов Максим Викторович
Шрифт:
To create personnel with tanks, studio specialists used the old technology of combined shooting-special effect. On the field, full-size wooden models of tanks, covered with green cloth, were used in the field, which the workers moved around the field on a sleigh. Then the surveyors made measurements of the landscape, and Scandinava recreated the battlefield at a scale of 1:16 in the studio and photographed all the scenes with detailed models of tanks, reduced by 16 times. To create a winter atmosphere in the film (snow, blizzard, the sky changing in the film's drama), the consequences of the attacks (smoke, ash), and to amplify gun shots and some explosions, Scandinava decided not to use the traditional approach using CGI (Computer-generated imagery, The letters "computer-generated images"), instead taking real natural effects on the camera. Shooting on the nature, tanks and natural effects were collected by layers on the computer in one single image.
This approach required a certain technique of filming. In order to move the toy tank were like moving the present, it was necessary to shoot it four times faster, and then slow down the received frames. The camera, accordingly, had to be moved four times faster than on the field, which can not be done with hands. Therefore, in the pavilion shootings for camera control, the operators used the robotic arm KUKA Agilus, provided and programmed with the help of specialists from the Research Research Institute of Robotics. For close-up shots, a full-size mock-up of the PzKpfw IV tank was built, the cabin of which was recreated on Lenfilm as a separate capsule on the springs, which made it possible to achieve realistic pitching during shooting. Currently, the layout is kept in the Museum of the Karelian isthmus in the Vyborg.
The whole film was shot on the camera Arri Alexa (English) Russian, except for tanks, where because of the size required the apparatus of the company Red. Optometry used a spherical lens Illumina of the St. Petersburg plant "LOMO" - according to the operator, this solution allowed to smooth out the effect of the "excessively high-quality" image, which is inherent in all modern cameras.
Music
Sound for the film was recorded and reduced to the technical base of the studio "Nevafilm". Mikhail Kostylev, famous for his soundtracks for computer games, took up writing music for the film. According to the composer, he sought to convey a sense of pride in the Victory and the feat, creating an epic musical background in which the drama would remain. The leitmotif of most compositions is the theme "Eternal Flame", which Kostylev wrote at an early stage of the production of the film. The soundtrack was recorded after the presentation of the video, with the first score for all instruments was recorded using a MIDI editor. This allowed the director to immediately appreciate the approximate sound of the music, its mood and tempo. Then, using a metronome, individual instrument parts, vocals, chorus and parts were recorded, in which a whole orchestra was involved.
Choral parts are performed by vocalists of the Moscow Synodal Choir under the direction of the Honored Artist of Russia Aleksei Puzankov, instrumental musicians of the ensemble of soloists of the Academic Symphony Orchestra of the Philharmonic.
Reception
Government support
Apart from its crowdfunding budget, Panfilov"s 28 Men was produced with backing from the culture ministries of Russia and Kazakhstan.[11] Russian culture minister Vladimir Medinsky praised the planned release of the film, telling the upper chamber of Russia's parliament that the production reflected the country's interest in patriotic films.[12] Referencing criticism over the historical accuracy of the Soviet legend that formed the basis of the movie, he stated that the story is "a sacred legend that shouldn't be interfered with. People that do that are filthy scum."[13]
Box office
Rent a film in Russia was held from November 24 to December 26, 2016. The volume of the total ticket office for the first weekend was 180,559,249 rubles. In Russia and Belarus at the beginning of the film the film yielded only to the film Fantastic Beasts and Where to Find Them.
According to the report of the Cinema Foundation, at the 48th week (from 24 to 30 November), Russian cinemas were visited by 3.4 million spectators, of which every fourth spectator chose "28 panfilovtsev", and the fees amounted to 209.8 million rubles. The fund reports that the percentage of morning and afternoon shows was at evening level. That is, the film attracted a wide audience - and the adult viewer, and schoolchildren with students. In total, up to November 30, 36,616 sessions were held in Russia, which were attended by 878,944 spectators. The fees in Kazakhstan amounted to 61.3 million tenge.
On December 26, the film became available for purchase in online stores, and on January 27, 2017, it was released on DVD and Blu-ray. By mid-January, box office fees amounted to about 366.6 million rubles in Russia, and all in the CIS countries the film collected 385 million rubles.
Critical reception
Panfilov's 28 Men holds an aggregate score of 7.1/10 in user reviews on IMDB.[14]
See also
• Battle of Moscow
References
1.
2. Перейти^ "Andrey Shalopa".
3. Перейти^ Bone, Harry (2016-10-11). "Putin backs WW2 myth in new Russian film". BBC News. Retrieved 2017-05-21.
4. Перейти^ Внучка Панфилова: Разговоры о "ненастоящем" подвиге 28 гвардейцев аморальны
5. Перейти^ Pulver, Andrew (2016-10-11). "Russian film about disputed wartime action wins Putin's support". The Guardian. ISSN 0261-3077. Retrieved 2017-05-21.
6. Перейти^ 28 самураев
7. Перейти^ "Project page on Boomstarter crowdfunding platform". Archived from the original on December 12, 2016.
8. Перейти^ "Official website - funding section". Archived from the original on December 12, 2016.
9. Перейти^ "28 панфиловцев": гром войны Leonid Pavlyuchik. War Thunder
10. Перейти^ "The teaser of the film Panfilov"s 28 Men". War Thunder.
11. Перейти^ Pulver, Andrew (2016-10-11). "Russian film about disputed wartime action wins Putin's support". The Guardian. ISSN 0261-3077. Retrieved 2017-05-21.
12. Перейти^ "Russian Archives Cast Doubt on Legends of Soviet War Heroes". Retrieved 2017-05-21.
13. Перейти^ Bone, Harry (2016-10-11). "Putin backs WW2 myth in new Russian film". BBC News. Retrieved 2017-05-21.
14. Перейти^ Panfilov's 28 (2016), retrieved 2017-05-21
External links
Wikimedia Commons has media related to Panfilov's 28 men.
• Official website (in English)
• Panfilov's 28 men on Internet Movie Database
13. 2016 - Мои прекрасные дни (режиссер)
14. 2016 - Сергей Бодров. В чем сила, брат? (фрагмент о памятнике Сергею Бодрову, Брат Данила, рассказывают Роман Сергеев, Валерий Сорокин, не вошло в фильм).
15. 2016 - Битва За Новоюжку. Фильм первый "КРЫША" (PR)
Первая национальная киностудия "ЧУВАШФИЛЬМ" - предприятие киноиндустрии России, одна из киностудий Европы, оснащённая современным высокотехнологичным оборудованием, позволяющим полностью осуществлять весь цикл кинопроизводства. На "Чувашфильме" осуществляется производство практически всех видов отечественной кино-, теле- и видеопродукции.
Днём рождения Первой национальной киностудии "ЧУВАШФИЛЬМ" принято считать 18 ноября 2011 года, когда закончились съемки первого полнометражного фильма "Обочина" режиссёра Юрия Спиридонова
•
О кинокомпании
Кинокомпания "Чувашфильм" - это федеральное государственное унитарное предприятие (ФГУП). По словам генерального директора концерна Юрия Спиридонова, предприятие не получает никаких бюджетных средств, его создание и модернизация производились на собственные деньги. С 18 ноября 2011 года по настоящее время генеральным директором и председателем правления ФГУП "Первой национальной киностудии "ЧУВАШФИЛЬМ"" является Юрий Спиридонов
История
Основана 18 ноября 2011 года в Чебоксарах режиссёром, сценаристом, актёром, Заслуженным деятелем искусств Российской Федерации, Народным артистом Чувашской Республики Юрием Спиридоновым. За время своего существования студия сняла 3 художественных и десятки короткометражных фильмов. Первым художественным фильмом был "Обочина", снятый в 2014 году. Затем студия была преобразована в частное учреждение. Идея создания кинокомпании "Первая национальная киностудия "ЧУВАШФИЛЬМ"", родилась у Юрия Спиридонова после долгих лет работы в киноиндустрии Чувашии и России в целом. 19 ноября 2015 года, компания Чувашфильм, призентовала примьеру художественного фильма Егор Шилов