Творец, субъект, женщина: Стратегии женского письма в русском символизме
Шрифт:
Cixous and Cl'ement 1986
H'el`ene Cixous and Catherine Cl'ement: The Newly Born Woman. Minneapolis: University of Minnesota Press.
Clowes 1988
E. W. Clowes: The Revolution of Moral Consciousness: Nietzsche in Russian Literature 1890–1914. DeKalb (русский перевод: Клюс, Эдит: Ницше в России: революция морального сознания. Санкт-Петербург: Академический проект).
Clowes 1996
Edith Clowes: The Limits of Discourse: Solov’ev’s Language of Syzygy and the Project of Thinking Total Unity. — Slavic Review 1996. Vol. 55. № 3. 552–566.
Colonial Discourse and Post-Colonial Theory 1994
Colonial Discourse and Post-Colonial Theory: A Reader. Edited and introduced by Patrick Williams and Laura Chrisman. New York: Columbia UP.
Cooper 1997
Nancy L. Cooper: Secret Truths and Unheard-of Women: Poliksena Solov’eva’s Fiction as Commentary on Vladimir Solov’ev’s Theory of Love. — The Russian Review 1997. Vol. 56. № 2. April. 178–191.
Cooper 1999
Nancy Lynn Cooper: Poliksena Solov’eva — Russian Women Writers. Vol. I. Ed. Christine D. Tomei. New York and London: Garland. 583–604.
Costlow 1997
Jane Costlow: The Gallop, the Wolf, the Caress: Eros and Nature in The Tragic Menagerie. — The Russian Review. 1997. Vol 56. № 2. April. 192–208.
Costlow 1999
Jane Costlow. Lidiia Zinov’eva-Annibal. — Russian Women Writers. Vol. 1. Ed. Christine D. Tomei. New York and London: Garland. 443–458. de Courten 2003
Manon de Courten: History, Sophia and the Russian Nation: A Reassessment of Vladimir Solov’ev’s View on History and His Social Commitment. Bern: Peter Lang.
Cowie 1990
Elizabeth Cowie: Woman as Sign. — The Woman in Question: m/f. Edited by Parveen Adams and Elizabeth Cowie. Cambridge, Massachusetts: The MIT Press. 117–133.
Creating Life 1994
Creating Life: The Aesthetic Utopia of Russian Modernism. Edited by Irina Papemo and Joan Delaney Grossman. Stanford, Cal.: Stanford UP.
Cultural Mythologies 1992
Cultural Mythologies of Russian Modernism: from the Golden Age to the Silver Age. Ed. by B. Gasparov et al. (California Slavic Studies: 15). Berkeley.
Curran 1986
Stuart Curran: Poetic Form and British Romanticism. New York: Oxford UP.
Daly 1978
Mary Daly: Gyn / Ecology: The Metaethics of Radical Feminism. Beacon Press.
Dauthendey Elisabeth 1900
Dauthendey Elisabeth: Vom neuen Weibe und seiner Liebe. Ein Buch f"ur rei-fe Geister. Berlin: Schuster & Loeffler.
Davidson 1989
Pamela Davidson: The Poetic Imagination of Vyacheslav Ivanov: A Russian Symbolist’s Perception of Dante. Cambridge: Cambridge UP.
Davidson 1996
Pamela Davidson: Lidiia Zinov’eva-Annibal's The Singing Ass: A Woman’s View of Men and Eros. — Gender and Russian Literature: New Perspectives. Transl. and ed. by Rosalind Marsh. Cambridge. 155–183.
DeKoven 1991
DeKoven M. Rich and Strange: Gender, History, Modernism. Princeton. de Vries 1974
A de Vries: Dictionary of Symbols and Imagery. Amsterdam; London.
Delany Grossman 1985
Joan Delany Grossman: Valery Bryusov and the Riddle of Russian Decadence. Berkeley, Los Angeles, London: University of California Press.
Delaney Grossman 1994
Joan Delaney Grossman: Valery Briusov and Nina Petrovskaia: Clashing Models of Life in Art. — Creating Life. Stanford UP. 122–150.
Derrida 1979
Jacques Derrida: L'ecriture et la difference. Paris (ориг.
Diamond 1989
Elin Diamond, Mimesis, Mimicry, and the 'True-Real' — Modem Drama 1989. № 32. 58–72.
Dictionary 1994
Dictionary of Russian Women Writers. Ed. by M. Ledkovsky, C. Rosenthal and M. Zirin. Westport, Conn.: Greenwood.
Dijkstra 1986
Bram Dijkstra: Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Si`ecle Culture. New York; Oxford: Oxford UP.
Le Doeuff 2002
Mich'ele Le Doeuff: The Philosophical Imaginary. London; New York: Continuum.
DuPlessis 1985
Rachel Blau DuPlessis: Writing beyond the Ending. Bloomington: Indiana UP.
D"allenbach 1989
Lucien D"allenbach: The Mirror in the Text. Chicago UP.
Ebert 1992
C. Ebert: Zinaida Gippius — eine antiweibliche Dichterin? — Slavistische Beitrage; 297: Russland aus der Feder seiner Frauen zum femininen Diskurs in der russischen Literatur. Munchen: Verlag Otto Sagner.
Ebert 2000
Christa Ebert: Die symbolistische Inszenierung der Pers"onlichkeit: Die «dekadente madonna» der Zinaida Gippius. — Der russische Symbolismus: zur sinnli-chen Seite seiner Wortkunst. Hg. Andreas Ohme, Ulrich Steltner. (Specimina Philologiae Slavicae, Band 128). M"unchen. 25–46.
Ebert 2002
Christa Ebert: Der Liebes-Diskurs in der russischen Moderne: Zinaida Gippius. — Schriften — Dinge — Phantasmen: Literatur und Kultur der russischen Moderne 1. Hrsg. Mirjam Goller, Susanne Str"atling. M"unchen. (Wiener Slawistischer Almanach, Sonder-band 56). 39–61.
Ebert 2004
Christa Ebert: Sinaida Hippius: seltsame N"ahe: ein Portr"at von Christa Ebert. Berlin: Oberbaum.
Ekonen 2007
K. Ekonen: Life As a Work of Art: Z. Gippius, Constructor of her Literary Identity. — ReaI Stories, Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts. Edited by Markku Lehtimaki, Simo Leisti, Marja Rytk"onen (Tampere Studies in Language, Translation and Culture).