Чтение онлайн

ЖАНРЫ

Визуальное народоведение империи, или «Увидеть русского дано не каждому»
Шрифт:

100. Kress G., Van Leeuwen T. Reading Images: The Grammar of Visual Design. London: Routledge, 1996. X, 288 p.

101. Kruger K. Der Blick ins Innere des Bildes. Asthetische Illusion bei Gerhard Richter // Pantheon. 1995. Bd. 53. S. 149–166.

102. Kusber J. Grenzen der Reform im Russland Katharinas II // Zeitschrift f"ur historische Forschung. 1998. Bd. 25, 4. S. 509–528.

103. Kusber J. Individual, Subject, and Empire. Toward a Discourse on Upbringing, Education, and Schooling in the Time of Catherine II // Ab Imperio. 2008. № 2. P. 125–156.

104. L’Anti-Napol'eon: Caricatures et satires du Consulat 'a l’Empire: Mus'ee national des ch^ateaux de Malmaison et de Bois-Pr'eau, 30 mai – 30 septembre 1996. Paris: Mus'ee national des ch^ateaux de Malmaison et de Bois-Pr'eau: R'eunion des mus'ees nationaux, 1996. 125 p.

105. La France et la Russie au Si`ecle des Lumi'eres: relations culturelles et artistiques de la France et de la Russie au XVIII si`ecle. Paris: Minist`ere des affaires 'etrang`eres: Association francaise d’action artistique, 1986. 490 p.

106. Landes J. B. Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France. Ithaca: Cornell University Press, 2001. XIII, 254 p.

107. Languages of Visuality: Crossings Between Science, Art, Politics and Literature / ed. B. Allert. Detroit: Wayne State University Press, 1996. XII, 270 p.

108. Lavater J. C. Essai sur la physiognomie, destin'e `a faire connotre l’homme et `a le faire aimer: trad. de l’allemand. La Haye, 1781–1803. Vol. 1–4.

109. Le Brun Ch. Conf'erence sur l’expression g'en'erale et particuli`ere. Paris, 1668.

110. Le Prince J. B. Le Voyage en Russie: Collections de la Ville de Rouen, 2004.

111. Le Prince J. B. Oeuvres, contenant plus de 160 planches representant divers costumes et habillements des peuples du Nord. Paris, 1782.

112. Leclerc N. G. Histoire physique, morale, civile et politique de la Russie ancienne. Paris: Froull^ae, 1783–1784. Vol. 1–3 (XX, 510; XXIV, 560; 748 p.)

113. Leclerc N. G. Histoire physique, morale, civile et politique de la Russie moderne. Paris: chez Froull^ae [et al.], 1783–[1793]. Vol. 1–3 (536; 619; 424 p.).

114. Levesque P.-Ch. Moeurs, Usages et Costumes des Peoples de la Russie. Paris, 1801.

115. Lippa R. A. On Deconstructing and Reconstructing Masculinity-Femininity // Journal of Research in Personality. 2001. Vol. 35, № 2. P. 168–207.

116. Markus G. Culture: The Making and the Make-up of a Concept: (An Essay in Historical Semantics) // Dialectical Anthropology. 1993. Vol. 18, № 1. P. 3–29.

117. Marshall P. J., Williams G. The Great Map of Mankind: British Perceptions of the World in the Age of Enlightenment. London: Dent, 1982. [6], 314 p.

118. Martin A. M. Romantics, Reformers, Reactionaries: Russian Conservative Thought and Politics in the Reign of Alexander I. DeKalb, Ill.: Northern Illinois University Press, 1997. X, 294 p.

119. McGregor G. A Case Study in the Construction of Place: Boundary Management as Theme and Strategy in Canadian Art and Life // Invisible Culture: An Electronic Journal for Visual Culture. 2003. Issue 5: Visual Culture and National Identity.(последнее

посещение 10.11.2010.

120. Meskimmon M. Visuality. The New, New Art History? // Art History. 1997. Vol. 20, № 2. P. 331–335.

121. Mirzoeff N. The Multiple Viewpoint: Diaspora and Visual Culture // The Visual Culture Reader / ed. N. Mirzoeff. London; New York, 2002. P. 204–214.

122. Mirzoeff N. An Introduction to Visual Culture. London; New York: Routledge, 1999. XI, 274 p.

123. Mitchell W. J. T. Iconology: Image, Text, Ideology. Chicago: The University of Chicago Press, 1986. 226 p.

124. Mitchell W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994. XV, 445 p.

125. Mitchell W. J. T. What is Visual Culture? // Meaning in the Visual Arts: Views from the Outside: A Centennial Commemoration of Erwin Panofsky (1892–1968) / ed. I. Lavin. Princeton, 1995. P. 207–217.

126. Modernity and the Hegemony of Vision / ed. D. M. Levin. Berkeley, Calif.: University of California Press, 1993. XII, 408 p.

127. Moeurs et Costumes des Russes, repr'esent'es en 50 planches colori'ees ex'ecut'ees en litographie. Paris; Strasbourg, 1821.

128. Moscovici S. The Phenomenon of Social Representations // Social Representations / ed. R. M. Farr and S. Moscovici. New York, 1984. P. 3–69.

129. Mullin A. Purity and Pollution: Resisting the Rehabilitation of a Virtue // Journal of the History of Ideas. 1996. Vol. 57, № 3. P. 509–524.

130. National Identity in Russian Culture / ed. S. Franklin and E. Widdis. Cambridge: Cambridge University Press, 2004. XIII, 240 p.

131. Norris S. Russian Images of War: The Lubok and Wartime Culture, 1812–1917: Ph. D. Dissertation. University of Virginia. 2001.

132. Norris S. M. A War of Images: Russian Popular Prints, Wartime Culture, and National Identity, 1812–1945. DeKalb: Northern Illinois University Press, 2006. XIII, 277 p.

133. Ogilvie B. W. The Many Books of Nature: Renaissance Naturalists and Information Overload // Journal of the History of Ideas. 2003. Vol. 64, № 1. P. 29–40.

134. Ogilvie B. W. The Science of Describing: Natural History in Renaissance Europe. Chicago; London: University of Chicago Press, 2006. XVI, 385 p.

135. Pallas P. S. Neuen Reisen in die S"udlicher Statthalterschaften des Russischen Reichs. Leipzig, 1799–1801. Bd. 1–2.

136. Pallas P. S. Travels through the Southern Provinces of the Russian Empire in the Years 1793 and 1794. London, 1802–1803. Vol. 1–2.

137. Panofsky E. Perspective as Symbolic Form / translated by C. S. Wood. New York: Zone Books, 1991. 196 p.

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