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Владимир Набоков: pro et contra. Tом 2
Шрифт:

619. Feuer L.The Unnatural Mirror: «Bend Sinister» and «Hamlet» // Critique. 1988. Vol. 30. № 1. P. 3–12.

620. Fleischauer J. F.Simultaneity in Nabokov's Prose Style // Style. 1971. Vol. 5. № 1. P. 57–69.

621. Foster J. В., Jr.Nabokov before Proust: The Paradox of Anticipatory Memory // SEEJ. 1989. Vol. 33. № 1. P. 78–94.

622. Foster J. B., Jr.Not Eliot, but Proust: Revisionary Modernism in Nabokov's «Pale Fire» // Comparative Literature Studies. 1991. Vol. 28. № 1. P. 51–67.

623. Foster L. A.Nabokov in Russian Emigre Criticism // RLT. 1972. № 3. P. 330–341.

624. Foster L. A.Nabokov's Gnostic Turpitude: The Surrealistic Vision of Reality in

«Priglashenie na kasn'» // Mnemozina — Studia litteraria russica in Honorem Vsevolod Setchkarev / Ed. by J. T. Baer and N. W. Ingham. M"unchen, 1974. P. 117–129.

625. Frank J.The Lectures of Professor Pnin // Frank J. Through the Russian Prism: Essays on Literature and Culture. Princeton, N. J., 1990. P. 49–53.

626. Freiwald В.A Pliable Reality: Towards a Construction of a Nabokovian Narrative Model // Canadian Journal of Research in Semiotics. 1980–1981. Vol. 8. № 1–2. P. 111–122.

627. Fromberg S.The Editing Blinks of Vladimir Nabokov's «The Eye» // University of Windsor Review. 1972. Vol. 8. № 1. P. 5–30.

628. Fromberg S.The Unwritten Chapters in «The Real Life of Sebastian Knight» // Modern Fiction Studies. 1967–1968. Vol. 13. № 4. P. 427–442.

629. Fromberg-Schaeffer S.«Bend Sinister» and the Novelist as Anthropomorphic Deity // Centennial Review. 1973. Vol. 17. № 2. P. 115–155.

630. Garrett-Goodyear J. H.«The Rapture of Endless Approximation»: The Role of the Narrator in «Pnin» // Journal of Narrative Technique. 1986. Vol. 16. № 3. P. 192–203.

631. Gerschenkron A.A Manufactured Monument? // Modern Philology. 1966. Vol. 63. № 4. P. 336–347.

632. Gezari J. K.Roman et probleme chez Nabokov // Po'etique. 1974. Vol. 5. № 8. P. 96–113.

633. Gezari J. K.Vladimir Nabokov and Chess // Biography. 1987. Vol. 10. № 2. P. 151–162.

634. Gibson A.Comedy of Narrative: Nabokov, Beckett, Robbe-Grillet // Comparative Literature. 1985. Vol. 37. № 2. P. 114–139.

635. Grabes H.'Metafiction' in Nabokov's Autobiographical Writing // Historiographic Metafiction in Modern American and Canadian Literature / Ed. by B. Engler and K. Muller. Paderborn, 1994. P. 171–183.

636. Grayson J.Double Bill: Nabokov and Olesha // From Pushkin to «Palisandriia»: Essays on the Russian Novel in Honor of Richard Freeborn / Ed. by A. B. McMillian. Basingstroke; N. Y., 1990. P. 181–200.

637. Grayson J.The French Connection: Nabokov and Alfred de Musset. Ideas and Practices of Translation // Slavonic and East European Review. 1995. Vol. 73. № 4. P. 613–658.

638. Grayson J.Rusalka and the Person from Porlock // Symbolism and After: Essays on Russian Poetry in Honor of Georgette Conchin / Ed. by A. McMillian. Worcester, 1992. P. 162–185.

639. Green G.Splitting the Ego: Freudian Doubles, Nabokovian Doubles // Russian Literature and Psychoanalysis / Ed. by D. Rancour-Laferriere. Amsterdam; Philadelphia, 1989. P. 369–379.

640. Greenleaf M. F.Fathers, Sons and Imposters: Rereading Pushkin's Trace in Nabokov's

«The Gift» // SR. 1994. Vol. 53. № 1. P. 140–158.

641. Grossmith R.Spiralizing the Circle: The Gnostic Subtext in Nabokov's «Invitation to a Beheading» // Essays in Poetics. 1987. Vol. 12. № 2. P. 51–74.

642. Haber E.C. Nabokov's «Glory» and the Fairy Tale // SEEJ. 1977. Vol. 21. № 2. P. 214–224.

643. Haddad-Wotling K.Figures proustiennes chez Nabokov // Revue de litt'erature compar'ee. 1992. Vol. 66. № 4. P. 407–419.

644. Haegert J.The Author as Reader as Nabokov: Text and Pretext in «Pale Fire» // Texas Studies in Literature and Language. 1984. Vol. 26. № 4. P. 405–424.

645. Hales C.The Narrator in Nabokov's «Pnin» // RLT. 1989. № 22. P. 169–181.

646. Hayles N. K.Ambivalence: Symmetry, Asymmetry and the Physics of Time Reversal in Nabokov's «Ada» // Hayles N. K. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. Ithaca, 1984. P. 111–138.

647. Hayles N. K.Making a Virtue of Necessity: Pattern and Freedom in Nabokov's «Ada» // CL. 1982. Vol. 23. № 1. P. 32–51.

648. Houk G.The Spider and the Moth: Nabokov's «Priglashenie na kazn'» as Epistemological Exhortation // RL. 1985. Vol. 18. № 1. P. 31–42.

649. Hughes R. P.Nabokov Reading Pasternak // Boris Pasternak and His Times / Ed. by L. Fleishman. Berkeley, 1989. P. 153–170.

650. Jastrzebska-Madloch J.Aluzja literacka w opowiadaniu Vladmira Nabokova «Muzyka» // Rusycystyczne Studia Literaturoznawcze. 1992. № 16. P. 28–35.

651. Jefford A.Dr. Jekyll and Professor Nabokov: Reading a Reading // Robert Louis Stevenson / Ed. by A. Noble. L.; Totowa, N. J., 1983. P. 47–72.

652. Johnson D. B.The Alpha and Omega of Nabokov's Prison-House of Language: Alphabetic Iconicism in «Invitation to a Beheading» // RL. 1978. Vol. 6. № 4. P. 347–364.

653. Johnson D. B.Belyj and Nabokov: A Comparative Overview // RL. 1981. Vol. 9. № 4. P. 379–402.

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