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of a girl. It's just that I have to be turned on to do it with a guy, you know what I mean?"

Johnny Fontane smiled at her. He still liked her. "And I don't turn you on?"

She was a little embarrassed. "Well, you know, when you were so great singing and

all, I was still a little kid. I sort of just missed you, I was the next generation. Honest, it's

not that I'm goody-goody (паинька). If you were a movie star I grew up on, I'd have my

panties off in a second."

He didn't like her quite so much now. She was sweet, she was witty, she was

intelligent. She hadn't fallen all over herself to screw for him or try to hustle (толкать,

пихать;

добиваться чего-либо напористыми, не всегда честными действиями) him

because his connections would help her in show biz. She was really a straight kid. But

there was something else he recognized. It had happened a few times before. The girl

who went on a date with her mind all made up not to go to bed with him, no matter how

much she liked him, just so that she could tell her friends, and even more, herself, that

she had turned down a chance to screw for the great Johnny Fontane. It was something

he understood now that he was older and he wasn't angry. He just didn't like her quite

that much and he had really liked her a lot.

And now that he didn't like her quite so much, he relaxed more. He sipped his drink

and watched the Pacific Ocean. She said, "I hope you're not sore, Johnny. I guess I'm

being square, I guess in Hollywood a girl's supposed to put out just as casually as

kissing a beau (щеголь; здесь: кавалер [bu]) good night. I just haven't been around

long enough."

Johnny smiled at her and patted her cheek. His hand fell down to pull her skirt

5

discreetly over her rounded silken knees. "I'm not sore," he said. "It's nice having an old-

fashioned date." Not telling what he felt: the relief at not having to prove himself a great

lover, not having to live up (быть достойным /чего-либо/, тянуться) to his screened,

godlike image. Not having to listen to the girl trying to react as if he really had lived up to

that image, making more out of a very simple, routine piece of ass than it really was.

They had another drink, shared a few more cool kisses and then she decided to go.

Johnny said politely, "Can I call you for dinner some night?"

She played it frank and honest to the end. "I know you don't want to waste your time

and then get disappointed," she said. "Thanks for a wonderful evening. Someday I'll tell

my children I had supper with the great Johnny Fontane all alone in his apartment."

He smiled at her. "And that you didn't give in (уступить, сдаться)," he said. They both

laughed. "They'll never believe that," she said. And then Johnny, being a little phony

(фальшивый, притворяющийся) in his turn, said, "I'll give it to you in writing, want me

to?" She shook her head. He continued on. "Anybody doubts you, give me a buzz on

the phone, I'll straighten them right out. I'll tell them how I chased you all around the

apartment but you kept your honor. OK?"

He had, finally, been a little too cruel and he felt stricken at the hurt on her young face.

She understood that he was telling her that he hadn't tried too hard. He had taken the

sweetness of her victory away from her. Now she would feel that it had been her lack of

charm or attractiveness that had made her the victor this night. And being the girl she

was, when she told the story of how she resisted the great Johnny Fontane, she would

always have to add with a wry little smile, "Of course, he didn't try very hard." So now

taking pity on her, he said, "If you ever feel real down, give me a ring. OK? I don't have

to shack up (сожительствовать,

переспать) every girl I know."

"I will," she said. She went out the door.

He was left with a long evening before him. He could have used what Jack Woltz

called the "meat factory," the stable of willing starlets, but he wanted human

companionship. He wanted to talk like a human being. He thought of his first wife,

Virginia. Now that the work on the picture was finished he would have more time for the

kids. He wanted to become part of their life again. And he worried about Virginia too.

She wasn't equipped to handle the Hollywood sharpies (sharpy – жулик, мошенник;

энергичный человек) who might come after her just so that they could brag about

having screwed Johnny Fontane's first wife. As far as he knew, nobody could say that

yet. Everybody could say it about his second wife though, he thought wryly. He picked

up the phone.

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He recognized her voice immediately and that was not surprising. He had heard it the

first time when he was ten years old and they had been in 4B together. "Hi, Ginny," he

said, "you busy tonight? Can I come over for a little while?"

"All right," she said. "The kids are sleeping though; I don't want to wake them up."

"That's OK," he said. "I just wanted to talk to you."

Her voice hesitated slightly, then carefully controlled not to show any concern, she

asked, "Is it anything serious, anything important?"

"No," Johnny said. "I finished the picture today and I thought maybe I could just see

you and talk to you. Maybe I could take a look at the kids if you're sure they won't wake

up."

"OK," she said. "I'm glad you got that part you wanted."

"Thanks," he said. "I'll see you in about a half hour."

When he got to what had been his home in Beverly Hills, Johnny Fontane sat in the

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