От Рафаэля до Кавалера д’Арпино. Устройство римских живописных мастерских XVI века

Salvini R. La capella Sistina in Vaticano. Milano: Rizzoli, 1965. Vol. 1.

Saxl F. The Capitol During the Renaissance. A Symbol of the Imperial idea // Saxl F. Lectures. London: Warburg Institute, 1957. Vol. 1. P. 200–214.

Schlosser J. von. Aus der Bilderwerkstatt der Renaissance. Fragmente zur Geschichte der Renaissanceplastik. Wien: Wien & Lpz., 1913.

Schlosser J. von. Zur Rolle des Kleinmodells im Studio des Kunstlers und des Amateurs // Jahrbuch der kunsthistorischen. Sammlungen des Allerhochsten Kaiserhauses. 1913. № 31. S. 67–135.

Scrase D. A Touch of the Divine: Drawings by Federico Barocci in British Collections. Cambridge: Fitzwilliam Museum Enterprises, 2006.

Scritti d’arte di Federico Zuccaro / Ed. D. Heikamp. Firenze: L. S. Olschki, 1961.

Shearman J. Raphael’s Unexecuted Projects for Stanze // Walter Friedlander zum 90 Geburtstag: eine Festgabe seiner europaischen. Berlin: Walter de Gruyter, 1965. P. 158–180.

Shearman J. Mannerism. Style and Civilization. London: Penguin books, 1967.

Shearman J. Raphael’s Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel. London: Phaidon Press, 1972.

Shearman J. Raphael, Rome and the Codex Escurialensis // Master Drawings. 1977. № 15. P. 107–146.

Shearman J. The Organization of Raphael’s Workshop // Museum Studies. 1983. № 10. P. 41–57.

Shearman J. Raffaello e la bottega // Raffaello in Vaticano. Milan: Electa, 1984. P. 258–263.

Shearman J., White J. Raphael’s Tapestries and their Cartoons // The Art Bulletin. 1958. Vol. 40. № 3. P. 193–221.

Simons P. Portraiture and Patronage in Quattrocento Florence with Special Reference to the Tornaquinci and their Chapel in Santa Maria Novella. University of Melbourne, 1985.

Smyth C. H. Mannerism and Maniera. New York: J. J. Augustin, 1962.

Stillinger J. Multiple Authorship and the Myth of Solitary Genius. New York, Oxford: Oxford University Press. 1991.

Stinger Ch. The Renaissance in Rome. Bloomington: Indiana University Press, 1985.

Strinati C. Sebastiano del Piombo e Rinascimento a Roma // Sebastiano del Piombo. 1485–1547 / Ed. F. Motta. Roma: Federico Motta, 2008. P. 15–23.

Strunk Ch. The Original Setting of the Early Life of Taddeo Series. A New Reading of the Pictorial Program in the Palazzo Zuccari, Rome // Taddeo and Federico Zuccaro. Artist-brothers in Renaissance Rome / Ed. J. Brooks. Los Angeles: Los Angeles: The Paul Getty Museum, 2007. P. 113–125.

Studying Old Master Paintings: Technology and Practice. The National Gallery Technical Bulletin 30^th Anniversary Conference Postprints / Ed. M. Spring. London: Archetype Publications, 2011.

Symonds J. A. The Life of Michelangelo Buonarroti: Based on Studies in The Archives of the Buonarroti Family in Florence. London: John C. Nimmo, 1893. — 2 vols.

Taddeo and Federico Zuccaro. Artist-brothers in Renaissance Rome / Ed. J. Brooks. Los Angeles: The Paul Getty Museum, 2007.

Talvacchia B. Raphael’s Workshop and the Development of a Managerial Style // The Cambridge Companion to Raphael / Ed. M. Hall. Cambridge: Cambridge University Press, 2005. P. 167–185.

Temple N. Renovatio Urbis: Architecture, Urbanism, and Ceremony in the Rome of Julius II. The Classical Tradition in Architecture. London: Routledge, 2011.

Teodoro F. P. di. The Letter to Leo X // Raphael 1520–1483. Milano: Skira editore S.p.A., 2020. P. 69–77.

The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop / Ed. A. Ladis. Athens, London: University of Georgia Press, 1995.

The Material Renaissance / Eds. M. O’Malley, E. Welch. Manchester: Manchester University Press, 2007.

Thomas A. J. The Painter’s Practice in Renaissance Tuscany. Cambridge: Cambridge University Press, 1997.

Tolnay Ch. The Youth of Michelangelo. Princeton: Princeton University Press, 1943.

Tolnay Ch. The Tomb of Julius II. Princeton: Princeton University Press, 1954.

Tolnay Ch. Michelangelo. Sculptor, Painter, Architect. Princeton: Princeton University Press, 1975.

Tolnay Ch. Corpus dei disegni di Michelangelo. Novara: De Agostini, 1975–1980. — 4 vols.

Tosini P. Girolamo Muziano 1532–1592: dalla maniera alla natura. Roma: Ugo Bozzi, 2008.

Tosini P. Esercizi accademici: pratica artistica e modelli antiquari nella pittura di Girolamo Muziano // L’Accademia riflette sulla sua storia. Perugia: Futura, 2011. P. 173–188.

Treves L. Daniele da Volterra and Michelangelo: A Collaborative Relationship // Apollo. 2001. № 154. P. 36–45.

Turner N. An Attack on the Accademia di S. Luca: Ludovico David’ s L’Amore dell’ Arte // British Museum Yearbook. 1976 Vol. 1. P. 157–186.

Van Marle R. The Development of the Italian Schools of Painting. 1923–1938. Leiden: Martinus Nijhoff. — 19 vols.

Vanturini L. Modelli fortanati e produzione di serie // Maestri e botteghe: pittura a Firenze alla fine del Quattrocento / Ed. M. Gregori, A. Paolucci. Firenze: Silvana, 1992. P. 147–164.

Varoli-Piazza R. Il fregio della Sala delle Prospettive: un’ipotesi per la bottega del Peruzzi // Baldassarre Peruzzi. Pittura, Scena, Architettura nel Cinquecento. Roma: Istituto della Enciclopedia italiana, 1987. P. 363–398.

Ventury A. Storia dell’arte italiana. Milano: Ulrico Hoepli, 1901–1940. — 21 vols.

Verstegen I. Barocci, Cartoons, and the Workshop: A Mechanical Means for Satisfying Demand // Notizie da Palazzo Albani. 2007. № 34/35. P. 101–123.