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Шрифт:

___. NightFlight. Middlesex: Penguin, 1939.

___. A Sense of Life. New York: Funk & Wagnalls, 1965.

___. Wind, Sand and Stars. Middlesex: Penguin, 1971.

___. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.

Servan-Schreiber, Jean Jacques. The American Challenge.

London: Hamish Hamilton, 1968.

___. The World Challenge. New York: Simon & Schuster, 1981.

Shahn, Ben. The Shape of Content. Cambridge, Massachusetts:

Harvard University Press, 1957.

Soleri, Paolo. Arcology: The City in the Image of Man.

Cambridge, Massachusetts: M.I.T. Press, 1970.

Sontag, Susan. On Photography.

New York: Farrar, Straus and Giroux, 1977.

Sullivan, Louis H. The Autobiography of an Idea. Chicago: Peter Smith, 1924.

___. Kindergarten Chats. Chicago: Scarab Fraternity, 1934.

Thoreau, Henry David. Walden and Essay on Civil Disobedience.

London: Dent.

Van Gogh, Vincent. The Complete Letters of Vincent Van Gogh

in Three Volumes. London: Thames & Hudson, 1958.

Weiss, Peter. Notizen zum Kulterellen Leben in der Demokratischen Republik

VietNam. Frankfurt, Germany: Suhrkamp Verlag, 1968.

Wills, Philip. Free as a Bird. London: John Murray, 1973.

___. On Being a Bird. London: David & Charles, 1977.

___. Where No Birds Fly. London: Newnes, 1961.

Wright, Frank Lloyd. Autobiography.

New York: Duel, Sloane & Pearce, 1943.

___. The Disappearing City. New York: William Farquhar Payson, 1932

___. The Living City. New York: Horizon, 1958.

___. The New Frontier: Broadacre City. Springreen, Wisconsin:

Taliesin Fellowship Publication, vol. 1, no. 1, October, 1940.

___. A Testament. New York: Horizon, 1957.

___. When Democracy Builds. Chicago: University of Chicago Press, 1945.

Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.

Yevtushenko, Yevgeny. Collected Poems. London: Calder & Boyars, 1969.

___. A Precocious Autobiography. New York: Dutton, 1963.

Истоки

дизайна

Arnheim, Rudolf. Art and Visual Perception. London: Faber, 1967.

___. Film as Art. London: Faber, 1967.

___. Toward A Psychology oj Art. London: Faber, 1967.

Bayer, Herbert, and Gropius, Walter. Bauhaus 1919-1928.

Boston: Branford, 1952.

Berenson, Bernard. Aesthetics and History.

New York: Pantheon Books, 1948.

Biederman, Charles. Art as the Evolution of Visual Knowledge.

Redwing, Minnesota: Charles Biederman, 1948.

Boas, Franz. Primitive Art. New York: Dover, 1955.

Burckhardt, Lucius. Der Werkbund. Stuttgart: DVA, 1978.

Conrads, Ulrich, and Sperlich, Hans G. The Architecture of Fantasy.

New York: Praeger, 1962.

Danz, Louis. Dynamic Dissonance in Nature and the Arts.

New York: Longmans Green, 1952.

___. It is Still the Morning. New York: Morrow, 1943.

___. Personal Revolution and Picasso. New York: Longmans Green, 1941.

___. The Psychologist Looks at Art. New York: Longmans Green, 1937.

___ .ZarathustraJr.. New York: Brentano, 1934.

Dorfles, Gillo. Kitsch: An Anthology of Bad Taste.

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