Дизайн для реального мира
Шрифт:
London: Studio Vista, 1970.
Ehrenzweig, Anton. The Hidden Order of Art. London: Paladin, 1970.
Feldman, Edmund B. (ed.). Art in American Higher Institutions. Washington,
D.C.: The National Art Education Association, 1970.
Friedmann, Herbert. The Symbolic Goldfinch:
Its History and Significance in European Devotional Art.
Princeton, New Jersey: Bollingen Series,
Princeton University Press, 1946.
Gamow, George. One, Two, Three... Infinity, rev. ed.
New York: Viking, 1961.
Gerstner, Karl. Kalte KunstP Basel, Switzerland: Arthur Niggli, 1957.
Gilson, Etienne. Painting and Reality. Princeton, New Jersey:
Bollingen Series, Princeton University Press, 1957.
Gombrich, E.H. Art and Illusion. Oxford: Phaidon, 1962.
___. Ideals and Idok. New York: E. P. Dutton, 1979.
___. The Image and the Eye. Ithaca: Cornell University Press, 1979.
___. Meditations on a Hobbyhorse. Oxford: Phaidon, 1963.
___. The Sense of Order. Ithaca: Cornell University Press, 1979.
Graves, Robert. The White'Goddess. London: Faber, 1952.
Hatterer, Lawrence J. The Artist in Society: Problems and Treatment of the
Creative Personality. New York: Grove Press, 1965.
Hauser, Arnold. The Social History of Art. 4 vols. London:
Rou-tledge & Kegan Paul, 1951.
Hinz, Berthold. Art in the Third Reich. New York: Pantheon, 1979.
Hogben, Lancelot. From Cave Painting to Comic Strip.
New York: Chanticleer Press, 1949.
Hon-En Historia. Catalogue. Stockholm: Moderna Museet, 1967.
Huizinga, Johan. Homo Ludens: A Study of the Play-element
in Human Culture. London: Paladin, 1970.
Hulten, K.G. Pontus. The Machine as Seen at the End of the Mechanical Age,
New York: Museum of Modern Art, 1968.
Illich, Ivan. Energy and Equity. London: Calder & Boyars, 1974.
___. Tools for Conviviality. London: Calder & Boyars, 1973.
Keats, John. The Insolent Chariots. New York: Crest Books, n.d.
Klingender, Francis D. Art and the Industrial Revolution.
London: Paladin, 1972.
Kracauer, Siegfried. From Caligari to Hitler. Princeton, New Jersey:
Princeton University Press, 1947.
Kranz, Kurt. Variationen tiber ein geometrisches Thema.
Munich, Germany: Prestel, 1956.
Langer, Susanne K. Feeling and Form. London:
Routledge & Kegan Paul, 1953.
___. Philosophy in a New Key. New York: Scribner, 1942.
___. Problems of Art. New York: Scribner, 1957.
Le Corbusier. The Modular. London: Faber, 1954.
___. Modular 2. London: Faber, 1958.
Lethaby, W.R. Architecture, Nature and Magic.
New York: George Braziller, 1956.
Malraux, Andre. The Metamorphosis of the Gods.
New York: Dou-bleday, 1960.
___. The Voices of Silence. New York: Doubleday, 1952.
Maritain, Jacques. Creative Intuition in Art and Poetry.
Princeton, New Jersey: Bollingen Series,
Princeton University Press, 1953.
Middleton, Michael. Group Practice in Design.
London: Architectural Press, 1968.
Moholy-Nagy, Sibyl. Native Genius in Anonymous Architecture.
New York: Horizon, 1957.
Neumann, Erich. The Great Mother: An Analysis of the Archetype.