Дизайн для реального мира

^{Pile, John F. Design. Amherst: University of Massachusetts Press, 1979.}

^{Potter, Norman. What is a Designer. Things, Places, Messages.}

^{London: Hyphen Press, 1980.}

^{Pye, David. The Nature & Aesthetics of Design.}

^{New York: Van Nostrand Reinhold, 1978.}

^{Rand, Paul. Thoughts on Design. London: Studio Vista, 1970.}

^{Schumacher, E. F. Good Work. New York: Harper & Row, 1979.}

^{Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.}

^{New York: Rizzoli, 1981.}

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^{Aluminum Company of America. Design Forecast No. 1&.N0. 2.}

^{Pittsburgh: Aluminum Company of America, 1959, 1960.}

^{Beresford, Evans J. Form in Engineering Design.}

^{Oxford: Clarendon Press, 1954.}

^{Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.}

^{Braun-Feldweg, Wilhelm. Industrial Design Heute.}

^{Hamburg, Germany: Rowohlt, 1966.}

^{___. Normen und Formen Industrieller Produktion.}

^{Ravensburg, Germany: Otto Maier, 1954.}

^{Chase, Herbert. Handbook on Designing for Quantity Production.}

^{New York: McGraw-Hill, 1950.}

^{The Design Collection: Selected Objects.}

^{New York: Museum of Modern Art, 1970.}

^{Doblin, Jay. One Hundred Great Product Designs.}

^{New York: Rein-hold, 1969.}

^{Drexler, Arthur. Introduction to Twentieth Century Design.}

^{New York: Museum of Modern Art, 1959.}

^{___. The Package. New York: Museum of Modern Art, 1959.}

^{Dreyfuss, Henry. Designing for People.}

^{New York: Simon & Schus-ter, 1951.}

^{Eksell, Olle. Design = Ekonomi. Stockholm: Bonniers, 1964.}

^{Ekuan, Kenji. Industrial Design Lectures. Melbourne: Trevor Wilson, 1973.}

^{Farr, Michael. Design in British Industry.}

^{Cambridge: Cambridge University Press, 1955.}

^{Friedman, William. Twentieth Century Design: U.S.A.}

^{Buffalo, N.Y.: Albright Art Gallery, 1959.}

^{Functie en Vorm: Industrial Design in the Netherlands.}

^{Bussum, Holland: Moussault's Uitgeverij, 1956.}

^{Gestaltende Industrieform in Deutschland.}

^{Diisseldorf, Germany: Econ, 1954.}

^{Gloag, John. Self Training for Industrial Designers.}

^{London: Alien & Unwin, 1947.}

^{Hiesinger, Cathryn} В., and Marcus, George H. (eds.). ^{Design Since 1945.}

^{Philadelphia: Museum of Art, 1983.}

^{Holland, Laurence B. (ed.). Who Designs America?}

^{New York: Anchor, 1966.}

^{Jacobson, Egbert. Basic Color. Chicago: Paul Theobald, 1948.}

^{Johnson, Philip. Machine Art. New York: Museum of Modern Art, 1934.}

^{Latham, Richard. Industrial Design Lectures.}

^{Melbourne: Trevor Wilson, 1972.}

^{Lippincott, J. Gordon. Design for Business. Chicago: Paul Theobald, 1947-}

^{Loewy, Raymond. Never Leave Well Enough Alone.}

^{New York: Simon & Schuster, 1950.}

^{Lucie-Smith, Edward. AHistory of Industrial Design.}

^{New York: Van Nostrand Reinhold, 1983.}

^{Noyes, Eliot F. Organic Design. New York: Museum of Modern Art, 1941.}

^{Pevsner, Nikolaus. An Enquiry into Industrial Art in England.}

^{Cambridge: Cambridge University Press, 1937.}

^{___. Pioneers of Modern Design. Middlesex: Penguin, 1970.}

^{Read, Sir Herbert. Art in Industry. London: Faber, 1966.}

^{Teague, Walter Dorwin. Design this Day. New York: Harcourt, Brace, 1940.}

^{Van Doren, Harold. Industrial Design, id ed. New York: McGraw-Hill, 1954.}