Как продать за $12 миллионов чучело акулы. Скандальная правда о современном искусстве и аукционных домах
Шрифт:
Чарльз Саатчи: брендовый коллекционер
Hatton R., Walker J.A.Supercollector: A Critique of Charles Saatchi. Hong Kong: Ellipsis, 2000.
Urban A.Manipulation and the Contemporary Art Market: An Examination of Charles Saatchi. London: Sotheby’s Institute, 2003.
Выбирая аукциониста
Alexandre F.Exploring Different Ways Branding is Used in the Art World. London: Sotheby’s Institute, 2000.
Benhamou-Huet J.The Worth of Art: Pricing the Priceless. New York: Assouline Publishing, 2001.
Kirwan-Taylor H.‘Horror of the Hammer’. Financial Times Weekend Magazine, 8—9 (July 2000).
Lacey R.Sotheby’s: Bidding for Class. London: Little, Brown, 1998.
Mason C.The Art of the Steal: Inside the Sotheby’s — Christie’s Auction House Scandal. New York: G.P. Putnam’s Sons, 2004.
Психология
Alilee H., Malmendier U.‘Biases in the Market: The Case of Overbidding In Auctions’. Graduate School of Business. Stanford University Working Paper no. 9, 2006.
Grampp W.Pricing the Priceless: Art, Artists and Economics. New York: Basic Books, 1989.
Hildesley C.H.The Compete Guide to Buying and Selling at Auction. New York: W.W. Norton, 1997.
Perkins H.Hammering the Estimate: An Examination of Consumer Behaviour at Auction. London: Sotheby’s Institute of Art, 2000.
Идеальный портрет Фрэнсиса Бэкона
Peppiatt М.Francis Bacon: Anatomy of an Enigma. New York: Farrar, Strauss and Giroux, 1997.
Sylvester D.Looking Back at Francis Bacon. London: Thames and Hudson, 2000.
Аукционные дома против дилеров
Bevan R.‘The Changed Contemporary Art Market: Have Auction Houses Tried To Become Dealers Either By Buying Them Or By Behaving Like Them?’ The Art Newspaper (2002), available at theartnewspaper.com
Художественные ярмарки: последний рубеж
McIntyre М.Н.Taste Buds. How to Cultivate the Art Market. London: Arts Council UK, 2004.
Smith L.Fair Trade: Art Fairs as a Competitive Strategy for Dealers. London: Sotheby’s Institute, 2005.
Watson P.From Manet to Manhattan: The Rise of the Modern Art Market. New York: Random House, 1992.
Искусство и деньги
Rand Corporation.Gifts of the Muse. Reframing the Debate About The Benefits of the Arts. New York: Wallace Foundation, 2005.
Siegel K., Mattick P.Money. London: Thames and Hudson, 2004.
Warhol A.The Philosophy of Andy Warhol: from A to
В and Back Again. New York, 1975.Арт-критики
Galenson D.Painting Outside the Lines. Princeton, NJ: Princeton University Press, 2006.
Galenson D.Who are the Greatest Living Artists? The View from the Auction Market. Cambridge: National Bureau of Economic Research, September 2005.
Музеи
Altschuler В.(ed.). Collecting the New: Museums and Contemporary Art. Princeton, NJ: Princeton University Press. 2005.
Twitchell J.Branded Nation: The Marketing of Megachurch. College Inc. and Museumworld. New York: Simon & Schuster, 2004.
Оценка произведений современного искусства
Benhamou-Huet J.The Worth of Art: Pricing the Priceless (Translated by Charles Penwarden). New York: Assouline, 2001.
Buck L.Market Matters. London: Arts Council England, 2004.
Velthuis O.Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art. Princeton, NJ: Princeton University Press, 2005.
Подделки
Dutton D.The Forger’s Art: Forgery and the Philosophy of Art. Berkeley: University of California Press, 1983.
Fty B.S.Art Fakes — What Fakes? An Economic View. Institute for Empirical Research in Economics, Working Paper Series, University of Zurich, July 1999.
Современное искусство как вложение капитала
Ashenfelter О., Graddy К., Stevens М.A Study of Sales Rates and Prices in Impressionist and Contemporary Art Auctions. Oxford University Working Paper, May 2003.
Baumol W.‘Unnatural Value: Art Investment as a Floating Crap Game’. American Economic Review, vol. 76, no. 2, 1986.
Galenson W.Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity. Princeton, NJ. Princeton University Press, 2006.
Goetzmann W.‘Accounting for Taste: An Analysis of Art Returns Over Three Centuries’. American Economic Review, vol. 83, no. 5, 1993.
Landes W.‘Winning the Art Lottery: The Economic Returns to the Ganz Collection’. Recherches Economiques de Louvain, vol. 66, 2000.
Moses M., Mei J.‘Art as an Investment and the Underperformance of Masterpieces’. American Economic Review, vol. 92, no. 5, 1992.